He wrote that "by designating the music as a 'separate, third stream', the other two mainstreams could go about their way unaffected by the attempts at fusion". He noted that while critics on both sides of third stream objected to tainting their favorite music with the other, more strenuous objections were typically made by jazz musicians who felt such efforts were "an assault on their traditions". ![]() ![]() He insisted that "by definition there is no such thing as 'third stream jazz'". In 1961, Schuller defined third stream as "a new genre of music located about halfway between jazz and classical music". The fusion of jazz and classical music is also viewed as "born out of a reciprocal interest: the interest of the classical community in the developments in jazz music and the interest of the jazz community in the advances of classical music." The innovative idea of fusing jazz and classical music pushed the boundaries of traditional classical music and introduced a new genre that blends the two styles into a unique hybrid form. In third-stream music, composers incorporated elements of classical music, such as the use of jazz instruments and classical music forms, into their jazz compositions. Improvisation is generally seen as a vital component of third stream. It could refer to a group of jazz musicians playing solely, or a jazz soloist performing with a symphony orchestra, as long as the musicians are able to interpret and play jazz music. There are many ways to define third-stream music. ![]() The term was coined in 1957 by composer Gunther Schuller in a lecture at Brandeis University. Third stream is a music genre that is a fusion of jazz and classical music. instruments commonly used in classical music.
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